Concerning the Spiritual—and the Concrete—in Kandinsky’s ArtThis book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to "spirit" as signaling quasi religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of
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Concerning the Spiritual—and the Concrete—in Kandinsky’s Art